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Archive for April 3rd, 2010

Sania mirza’s mrriage is on 15th april at hyderabad – sania mirza wedding with shoaib malik photos

Posted by bollywoodcinemagallery on April 3, 2010

Famous Tennis player Sania Mirza’s marriage date has been fixed, She will marry former pak cricket team captain Shoaib malik on 15th April 2010. The veneue will be hyderabad, Its expected that shoaib malik’s family and relatives will reach hyderabad on 6th of Arpil.

Sania Mirza wedding photos, sania mirza marriage pics, sania mirza weds shoaib malik photos, shoaib malik wedding photos, pakistan cricket team captain, shoaib malik marriage with sania mirza, indian tennis player, ayesha sidhique

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Randhir Kapoor an inspiration on the sets of Housefull

Posted by bollywoodcinemagallery on April 3, 2010

Housefull

April 3, 2010(Sampurn Wire):Eros International and Sajid Nadiadwala ‘s Housefull brings to the big screen after ages the incandescent Randhir Kapoor .

And in fact merely having him present on the sets had pepped up the Housefull team so much that they all gave their 100% .

We come to hear that Randhir Kapoor (63) would shoot from 9am to 6pm and still remain his jovial self and would even sit on the sets irrespective of whether he had to give a shot or not.

When the rest of the cast out of concern would ask Randhir Kapoor to rest he would simply reply saying “When you work, you work”. This inspired the rest of the cast to sit on thesets and encourage each other.

Reveals a source “Randhir Kapoor surprised everyone on the sets with his professionalism. He was very accommodating. And when it comes to his acting his comic timing is impeccable. He was truly an inspiration on thesets”

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Not the ‘Late’ Simple Kapadia

Posted by bollywoodcinemagallery on April 3, 2010

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April 3, 2010(Sampurn Wire): Dimple Kapadia’s deceased sister Simple, who was doing her star-sister’s costumes in Tum Milo Toh Sahi until she was too unwell, is credited in the film for her work. But, not as a posthumous presence.

“I haven’t credited her as the ‘Late’ Simple Kapadia. For us who were among the last fortunate folks to have spent time with her, she never went away. Her laughter and her joie de vivre remain with us. Though Pooja Chabria took over Dimple’s clothes after she was unwellSimple would was still a part of the whole procedure,” says director Kabir Sadanand emotionally.

Kabir didn’t allow any pictures to be taken when Simple would come to the sets, “I didn’t want the world to see her in a wheelchair. Even though she was ill she insisted on coming to the sets and spending time with us. When we’d ask about her health she would turn around and say, ‘Who’s ill around here?’ Her spirit carried us forward to the end ofthe film.”

Director Kabir Sadanand who was making Tum Milo To Sahi right at the time when his leading lady Dimple Kapadia was facing the worst crisis of her life.

Her sister Simple was dying.

Kabir tells us, “Not once did Dimple bring her grief to the sets. Not once did we get to feel the enormity of her suffering. Every day she was in and out of the hospital and on the sets on time ready to face the camera.”

Even when Simple was gone the show went on.

“Dimple doesn’t believe that the world needs to know about her suffering. She internalized all the pain that she felt about Simple’s condition,” says Kabir.

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Akshay Kumar the daredevil

Posted by bollywoodcinemagallery on April 3, 2010

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April 3, 2010(Sampurn Wire):Keeping true to his signature Akshay Kumar – Bollywood’s box office king performed yet another death-defying stunt for his forthcoming film Sajid Nadiadwala’s and Eros International’s Housefull.

We come to hear that a particular scene required Akshay to jump from one balcony to another and since one small step in the wrong direction would have him plunging to the ground the production advised Akshay to use cable wires to perform the stunt.

But Akshay Kumar refused to do so in spite of the challenge it posed.

Reveals a production source “Akshay had to jump from one balcony to another for a scene. It was advisable to use cables for it since it was quite risky and one small slip would have him badly injured.But Akshay refused and did the stunt himself minus the cable wires”

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The many lives of Amitabh Bachchan (Comment)

Posted by bollywoodcinemagallery on April 3, 2010

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n the film “Dev” Amitabh Bachchan plays the role of an upright police officer who is horrified by the collusion between ruling politicians and a section of the police during a communal outbreak. The film provides a mirror image of the scene in Gujarat at the time of the 2002 riots. While it was being made, Amitabh might not have thought that he would become the state’s brand ambassador after a few years.
It is possible that he sees no connection between the two. After all, film stars play many roles, not all of which reflect their views and personalities. Problems can arise, however, as they have now for Amitabh, when a matinee idol is perceived as playing two roles — one in the tinsel world and the other in real life.
What is more, if the two performances tend to clash — for instance, if a hero on the silver screen turns out to be a villain in real life — they can have a jarring effect on his fans.
It is worth noting that such crossing of lines has been a feature of Amitabh’s life. A friend of the Nehru-Gandhi family — he gave an impromptu singing performance during Sanjay Gandhi’s wedding — Amitabh had even joined politics for a while before finding the profession to be a ‘cesspool’.
Inevitably, his proximity to India’s foremost political dynasty also meant that the Bachchan family would be involved in one of the major scandals which affected the Nehru-Gandhis — the Bofors deal.
It is not surprising that Amitabh’s less than pleasant experiences at the time made him distance himself from politics for some time and focus on doing what he does best, acting. But the glamour of the film world was evidently not enough for a larger-than-personality like him. Notwithstanding his unflattering perception of politics, he has never totally shunned politicians, presumably on the basis of the adage: hate the sin, not the sinner.

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You’ll soon see me in a romantic role: Neil Mukesh

Posted by bollywoodcinemagallery on April 3, 2010

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Neil Nitin Mukesh has made a mark for himself by choosing strong character-driven roles in “Johnny Gaddar”, “New York” and “Jail”. But now the sensitive actor promises his fans will get to see him in a completely romantic role.
“I like character-oriented and character-driven films a lot. There needs to be a certain meaning to the film that you do and that’s how I choose my roles,”Neil, who was in the capital to launch travel magazine Lonely Planet India, told IANS in an interview.
Asked if he would do romantic roles, Neil replied, “You can see romance in all my films, although it’s true that that romance is a little different from other movies. But soon you will be seeing me in a completeromantic role as I am on the verge of signing one.”
Despite coming from a musical background, Neil ventured into acting. Instead of taking the routine route, he made his debut in a negative role in the crime thriller “Johnny Gaddar”. Though the film didn’t do well at the box office, Neil certainly won critical acclaim for his performance.
Last year, he wowed the audiences as an undercover cop in “New York” that also had Katrina Kaif and John Abraham. In the same year he featured in Madhur Bhandarkar’s critically acclaimed “Jail”.
Neil admits he does feel the pressure to keep up the reputation of his grandfather, legendary singer Mukesh, and his dad, Nitin Mukesh.
“There is no doubt about the fact that I feel pressurised. It is very important as it took them (granddad and dad) decades of hard work and struggle to build that name and reputation. But it is a good pressure that gives me strength to give my best.”
Neil recently did a crash course in taekwondo in Bangkok. He will be seen doing some dare-devil stunts in an action advertisement for an innerwear brand. It was being said that he not only performed but also directed those stunts.
“I won’t say I directed it, but I coordinated it correctly because it’s a double role act with difficult action sequence so you need to get it right in your mind. It was fun and came out really well.”
So, with acting, singing and directing, does Neil plan to follow the footsteps of Farhan Akhtar?
“I don’t know. Let’s see and let’s hope that I get to come a little closer to him. He is a superbly talented human being.”
Meanwhile, Neil is busy with films like Pradeep Sarkar’s “Lafenge Parindey” that also stars Deepika Padukone, Vishal Bharadwaj’s “Saat Khoon Maaf” with Priyanka Chopra and a film with Abbas-Mustan.

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Cameron Diaz gifts holiday package to her stunt double

Posted by bollywoodcinemagallery on April 3, 2010

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Hollywood actress Cameron Diaz decided to give her stunt double for the movie “Knight and Day” a holiday trip to Mexico.

The actress, who stars in the movie with Tom Cruise, paid for the on set action woman to holiday to Cabo San Lucas as a way of saying thank you for all her hard work, reported imdb.com.

“There were a lot of serious stunts in the movie. The double got pretty banged up, Diaz sent her away to heal her bruises in peace,” said a source.

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‘Prince’ is high-voltage action: Director

Posted by bollywoodcinemagallery on April 3, 2010

Kookie Gulati says high voltage action scenes performed by Vivek Oberoi in his big-budget directorial debut “Prince” are the film’s USP. He is confident the movie will surprise audiences with its implausible action sequences shot with cutting-edge previz technology in South Africa, Thailand and India.
“Previz is the short form of pre-visualisation. It is an animated form of storyboard. I made this previz to show that all those seemingly impossible stunts done by Vivek were actually possible and this is the way one particular scene should be shot,” Gulati told IANS in an interview.
According to reports, producer Kumar Taurani has invested over Rs.40 crore in “Prince”. In the two-hour-six-minute film there is one hour of action.
Kookie used animated storyboard – previz – to make his associates understand how he wanted the action sequence to be shot. The advantage of previsualization is that it allows directors to experiment with different staging and art direction options without having to incur the costs of actual production.
“The first shot that we took was with 350 people, eight cameras across six buildings and Vivek on top of a building. We shot it in a day. If I hadn’t done previz, it would have taken us six days easily because by the time everyone coordinates and understands what actually is happening and what we want to show, it would have been a mess.
“This previz was also required to convince people what I am actually trying to do. I had to do the storyboard first and then animators transformed it to a previz. We used it mostly for theaction sequences,” said Gulati.
Releasing Friday, the film stars Vivek Oberoi in the lead role and Gulati roped in Nandana Sen, Aruna Shields and Neeru Singh to play female leads.
“There is a big twist in the film with one of these women. All of them claim to be Maya (character name). If I had cast big name in my film, you could have easily guessed who is the original Maya. That’s why I didn’t take big stars in my film,” said Gulati.
Asked what made him choose these three girls, Gulati said: “We wanted each girl to have her own character.
“The story is of six days; so keeping in mind the pace at which the film moves there was not much time to set up each character and provide that length of story behind each of them. So the idea was to pick up good actors who can deliver in the time frame that was given to them on screen,” he said.
The film’s theme was Gulati’s brainchild, but screenplay writer Shiraz Ahmed, who scripted films like “Race” (2008) and “Wanted” (2009), shaped it into the screenplay of “Prince”.
“We were very lucky that writer Shiraz Ahmed took a liking for me and agreed to write the script. It actually became a very huge plus point. We had an idea of thefilm we wanted to make and then obviously he took it on,” said Kookie.
Prince” narrates the story of a thief (Vivek) who wakes up one morning to realise he has lost his memory and that his life is at stake.Kookie had a couple of choices for the male lead, but signing Vivek was producer Kumar Taurani’s idea.
“We needed someone who can carry certain kind of physicality and can act well at the same time. Because the way the script has been written, the storyline is very, very strong and all these actions and stunts come through it. Vivek became the obvious choice because he can actually pull it off. Kumarji took a call,” saidKookie.
Gulati says he always wanted to make a film and was brushing up his skills by making music videos.
“I have been working with Kumar Taurani for the last nine years. I made a few music videos, but from the day I joined, I wanted to make a movie. But obviously it takes time. It’s good that it didn’t happen that time because I got time to discover myself,” said Gulati.

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Being a mother is a military operation: Sarah Jessica Parker

Posted by bollywoodcinemagallery on April 3, 2010

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Hollywood actress Sarah Jessica Parker, who has twin daughters and a son with her husband Matthew Broderick, said her mornings are so hectic that she feels like she is in an army operation.

“There is so much organisation and advanced planning that happens, like a military operation,” the femalefirst.co.uk quoted the “Sex and the City” actress as saying.

Parker has nine-month-old twin daughters Marion Loretta and Tabitha Hodge and seven-year-old son James Wilkie.

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Pamela Anderson wants to learn bartending

Posted by bollywoodcinemagallery on April 3, 2010

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Hollywood actress Pamela Anderson has confessed that she wants to learn to pour the perfect pint of beer so she can work in a bar if she ever runs out of work as an actress.

“I’m going to learn how to pull a pint. It’s another life skill, along with dancing, so I can always fall back on that if the work dries up,” imdb.com quoted her as saying.

 

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