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Archive for March 17th, 2010

Sally Potter comes to town

Posted by bollywoodcinemagallery on March 17, 2010

Potter, who has won great acclaim for her film Rage that stars Jude Law, says her visit to the country has been great and she is overjoyed with the response her film received at its screening at the Festival a couple of days back.

“Yes, there were nerves before the screening. One gets nervous when one’s movies move from one culture to another. But I must say that I was happy to see the response the movie got. The audience picked up on every nuance of the humour in the movie, which basically goes to show that the movie has quite an international appeal,” says Potter of her movie Rage.

Rage broke many boundaries through the style in which the film was shot. A schoolboy uses his cellphone camera to shoot intimate interviews with people working at a New York fashion house and secretly posts them on the Internet. This results in a bitterly funny expose of an industry in crisis, during a week in which an accident on the runway becomes a murder investigation, and denial leads to devastation. The film stars Judi Dench, Riz Ahmed, Eddie Izzard and Jude Law who, interestingly, plays a female in the movie.

The current scenario in Bollywood is that of globalization. On one hand, you have A R Rahman creating waves in Hollywood while Akon is joining Bollywood musicians. So, does this mean that cinema all over the world could just become one big industry?

“Not yet. There is still time for it. All that is happening is great. But there is still time for the whole film-making world to be one industry. Bollywood makes more movies than Hollywood and UK put together, and there is a huge market here. But I think people want to see stories that are a reflection of their own struggles and their lives,” says Sally candidly, “And we are still in a situation where each culture, thankfully, is beautifully different than the other. But I think that it is extremely healthy to be curious and in love with something that you are not. You know, to find another culture interesting, enticing, exciting, beautiful… And I think that mutual curiosity and respect for this difference is the basis for a truly international exchange. It doesn’t mean that everything has to become the same – Bollywood, Hollywood.. a great big mixture. I think the more respect there is for difference the more, not only cinemas, but our lives too, will be enriched.”

But while Sally isn’t yet convinced about this synergy of the industries across borders, what she completely backs is Bollywood’s song-and-dance routine that has, for many years, been poked fun at by its Western counterparts.

“First and foremost, let’s not rule out the song and dance. Let’s get used to it! There’s a lot to be said for it, and a lot to be learned from it. I think, sometimes, people might stereotype the musical as being a more lightweight form of entertainment. I’ve always found that the great musicals, right from the early black-and-white work of Guru Dutt, the Kapoor dynasty and so on, are quite extraordinary at all their levels. You can take just the surface level of the music and movement and so forth, but there’s always deeper themes underneath..epic themes. And, I think, that’s a very fantastic way of making films,” signs off the director.

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Rakesh Om Prakash next to be a biographic film

Posted by bollywoodcinemagallery on March 17, 2010

Rakyesh Om Prakash Mehra is set to start his most ambitious project, a biographical film on the life of athlete Milkha Singh. Prasoon Joshi, who made his debut as a co-screenplay writer with Delhi-6, will team up with Rakeysh in Bhaag Milkha Bhaag. This will be the first biographical film to be made on a sports icon.

Our source said, “Padma Shri Milkha Singh is an athlete who represented India in the 1960 Summer Olympics in Rome and then in 1964 in Tokyo. Popularly known as The Flying Sikh, he is one of the greatest athletes India has ever produced. Rakeysh loved the idea of making a film on the legendary sportsman.”

Milkha Singh had lost his parents during the Partition and despite a challenging childhood, rose to international glory as an athlete.

“Singh currently holds the post of Director of Sports in Punjab and has settled in Chandigarh. The film covers 75 years of his life. Bhaag Milkha Bhaag is a big production that will go on floors next year. Mehra wants to cast someone who can give time to the project as he wants to mould the actor’s look. Mehra will also be buying actual footage of his winning moments. The film will be shot in India, Pakistan and all the countries where Singh travelled,” adds the source.

Mehra confirmed the news and said, “Milkha Singh’s story is extremely inspiring. He went from a boy who was running to save his life to an athlete who brought glory and fame for the country. We have spoken to Milkhaji and he has been extremely helpful with the research and has shared details of his personal life.”
The casting, of course, is crucial. Mehra said, “It’s too early to talk about casting. W e would get into it in the coming months.”

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Blazing Kallis gets Bangalore off the mark

Posted by bollywoodcinemagallery on March 17, 2010

Bangalore Royal Challengers 204 for 2 (Kallis 89*, Uthappa 51) beat Kings XI Punjab 203 for 3 (Bopara 77, Bisla 73) by eight wickets

At the halfway mark it seemed as if Kings XI Punjab had scored enough to record their first victory of the tournament, but Royal Challengers Bangalore went after the target with such vengeance that Punjab were punished for trespassing on private property. At the forefront of the chase was the reborn Twenty20 basher Jacques Kallis, who smashed an unbeaten 89, and playing valuable and entertaining supporting roles were Manish Pandey and Robin Uthappa.

Jacques Kallis hits out, Royal Challengers Bangalore v Kings XI Punjab, 24th match, IPL, May 1, 2009

It was the reborn Jacques Kallis to the forefront yet again

One of Bangalore’s adopted sons, Ross Taylor, wasn’t around to send the ball soaring like he’s done many times, but the power hitting from Kallis, Uthappa and Pandey more than made up for his absence. The batsmen with strong forearms thumped the ball with amazing velocity to fetch massive sixes, particularly over the on side, to deflate the bowling side and cut the target down to size.

Although Punjab were overpowered by a better batting side on the day, they could have restricted Bangalore had they bowled better lengths. The spinners in particular were guilty for dropping the ball on a length which sat up nicely for the batsmen to rock back and swing their arms. The fuller lengths didn’t work and that was illustrated by one particular over from Sreesanth, which went for 25. The only way to restrict them was to either bowl yorkers or hurry them up with pace and bounce but Punjab didn’t possess the bowlers to do either.

Bangalore still needed 34 off the last three overs but didn’t look like messing it up. Punjab were dazed and had virtually thrown in the towel. Sharma’s first IPL experience was a nightmare as Kallis ripped him apart for 23 in the 18th over. It included three sixes and a feisty cut for four. Bangalore finished it with an over to spare and the Punjab dugout had nothing else to do but look on helplessly.

Such was the impact from Bangalore’s batsmen that the seventies by Manvinder Bisla and Ravi Bopara were lost in memory. The fact that Bisla was an unknown quantity worked in his favour because the Bangalore bowlers didn’t know what to expect. After an edgy start, Bisla quickly proved his doubters wrong. He looked far more comfortable against the slower pace of Kallis and R Vinay Kumar, regularly making room to slap the ball over backward point and third man. Following a sequence of off-side thumping, he showed his prowess on the on side, playing short-arm pulls off Kallis and a cheeky scoop over the wicketkeeper’s head off Virat Kohli’s gentle leg cutter.

When the pair brought up the fifty stand, Bopara’s contribution was only 8. Even the experienced Kumble couldn’t halt the momentum and the captain took a couple of blows to the body when he intercepted two full-blooded straight drives off Bopara. Bisla moved to 75 and looked to dump Kallis over deep midwicket but couldn’t get the distance.

Bisla’s innings was the best thing Bopara could have hoped for because it released the pressure off him. He survived a run-out early on 7 when Steyn’s underarm flick missed the stumps while attempting a quick single. Bopara really opened up after the halfway mark of the innings, flat-batting Steyn to wide long-off and paddling Praveen to fine leg to bring up his fifty off 42 balls. The bowler went on to claim his wicket with a slower ball but by then, the total was headed towards 200. Audacious shots from Mahela Jayawardene ensured the flow wasn’t disturbed. What Punjab didn’t know at that stage was that it was only the curtain raiser for what was to come.

Kallis’ biffing made the crowd delirious as Bangalore neared the target but the early entertainer was Pandey. The Ranji season’s highest run-scorer earned a promotion and made it count by the sheer power of his strokes and using the crease. The ball was coming on nicely on to the bat and they had the freedom to hit across the line at will. A lightning quick straight drive nearly cleaned up the umpire and the bowler, Irfan Pathan, was smoked for two huge sixes over his head in his next over. Pathan was smacked for bowling it too full and when Yuvraj Singh held the length back, Pandey shoveled him over midwicket for a six.

Piyush Chawla sent him back for 38, trapping him with a quicker delivery and inducing a top edge. There was no respite for Punjab as Uthappa walked in and recorded the second-fastest fifty of the IPL. He rocked back and smacked Chawla with a powerful forehand, following it up with a delicate late cut. Abdulla was spanked over the second tier at deep midwicket but the more experienced Sreesanth suffered the worst treatment of the night. Uthappa cleared the front leg to smash three sixes and a four in five balls. Sangakkara was running out of options and at that stage he must have wondered of his team should have scored 250 instead.

Uthappa cut Bipul Sharma to bring up his fifty off 19 balls and tried to clear long-off in the same over but was safely caught by Mohammad Kaif. Bangalore still needed 61 off 36 balls at that stage but they had the safety net of Kallis. He matched Pandey and Uthappa for style and power, particularly those shots over midwicket. The ball was dumped over that region with such regular frequency that the crowd ought to have worn

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Dhoni masterminds facile win for Chennai

Posted by bollywoodcinemagallery on March 17, 2010

MS Dhoni goes on the offensive, Chennai Super Kings v Kings XI Punjab, IPL, 34th match, Centurion, May 7, 2009

MS Dhoni led from the front with a 33-ball 66

Chennai Super Kings 164 for 3 (Dhoni 66*, Badrinath 43*) beat Kolkata Knight Riders 109 (Kemp 3-12) by 55 runs

MS Dhoni and S Badrinath added an unbroken 109-run stand from 65 deliveries to push Chennai Super Kings to a competitive total before their bowlers turned in an inspired performance to bowl them to a surprisingly facile win at the Eden Gardens. It was Chennai who had ended Kolkata’s winning streak after the first two games in 2008 and history played out yet again.

Chennai were wobbling at 55 for 3 in the 10th over when Dhoni joined Badrinath to slowly change things around on a track with slightly variable bounce. It wasn’t the traditional hit-everything-in-sight Twenty20 innings from them as they first strived to settle in with dabs and nudges before freeing their arms at the end.

It was off the final delivery of the 15th over that Dhoni managed his first big hit – a six over long-on. And it wasn’t till the 18th over that he really went berserk, hitting Laxmi Ratan Shukla for two fours and another six over long-on as he started to work his bottom hand over time.

In the next over, bowled by Shane Bond, he looted three boundaries that included a scorching flatly-pulled six. Badrinath too got in the act, pulling Ishant Sharma for a six in the final over.

Until the final assault from the Chennai duo, nearly everything went according to Plan A for Kolkata. Bond got to swing it at pace, Ishant probed with his seam movement, Murali Kartik was at his canny best, Angelo Matthews was at his nagging self and Shukla kept it really tight as well. But Dhoni’s knock proved the difference between a below-par total and a defendable one.

Kolkata needed a similar partnership but with wickets falling at regular intervals, the chase lacked any momentum and fizzled out very quickly. Within nine deliveries, their heroes from last game, Brad Hodge and Manoj Tiwary, were dismissed – Hodge pulled Albie Morkel to square-leg and Tiwary was bowled, going for an expansive on-the-up drive against Manpreet Gony. And when L Balaji produced the delivery of the game – it kicked up from short of length even as it straightened outside off stump – to catch the edge of Owais Shah, Kolkata were struggling at 46 for 4.

It required someone to seize the game but there weren’t any inspired bursts lower down. Sourav Ganguly dawdled along for a while, unable to break free against a relentless attack of short deliveries into his rib cage, and he fell, swinging Justin Kemp to deep mid-wicket. Much depended on Matthews if Kolkata were to effect a jail break, but he was trapped in front trying to paddle sweep a straight delivery from Kemp. The tail couldn’t produce any miracle and Chennai wrapped up the win with five balls to spare.

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